我有毒
类型：恐怖 / 地区：其它 / 年份：2018
状态：已完结
地区：其它
语言：其它
年份：2018
导演：Daniel de la Vega Pablo Parés
主演：Esteban Prol Horacio Fontova Sergio Podelei Gastón Cocchiara
更新：2025-04-21
相关内容：未知
简介：Following the success of their feature debut Jenni《我有毒》是一部恐怖 类型电影讲述的是Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
《我有毒》是2018年上映的恐怖,经典电影,导演是Daniel de la Vega Pablo Parés ,主演包括Esteban Prol Horacio Fontova Sergio .影片的剧情充满奇幻色彩，同时又深入探讨了人生和爱情的哲学意义。观众在欣赏电影的同时，也能够思考自己的命运和人生选择。
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.详情